August 4 - September 15, 2017
Through a street art aesthetic I strive to capture a shared social conscience and offer truths of increasingly complex and significant political, economic and social issues of our time; where light shines, shadows fall. Candor and social justice drive my creative process resulting in stark yet elegant artwork that encourages an audience to critically view their world, focus on what is habitually overlooked, face what may be uncomfortable truths, and act to improve their lives and those of others. At every opportunity I reference values, satirically or directly – integrity, humility, compassion, selflessness, trustworthiness, responsibility, and dependability – on large canvases of size and weight consistent with the gravity of the issues to which they speak. Truths are transcribed through acrylic spray paint – a street artist’s instrument – as the “street” is most often and most severely deprived of social justice. Images of the feminine from centuries-old artwork, often of moralist movements, are routinely appropriated and embedded into compositions to suggest causality between the current imbalance of the feminine and masculine in our social constructs and institutions and many of the social ills being faced today. Consistent with my rebellious undertone, as this artwork was generally acquired by the era’s social elite I consider appropriation of its imagery today in the service of socially-conscious work to be particularly fitting.
"The artist's job is to be a witness to his time in history." - Robert Rauschenberg
Following a meditation-induced heart opening in the Summer of 2013, Michael Fischerkeller was inspired to elucidate through art the truths of disruptive social issues of our time. Having acquired a Ph.D. in political science in 1996, Michael leverages his academic background to offer concise, often poignant compositions and accompanying narratives to provide deep understanding and coherence of complex issues. Fischerkeller is inspired by street artists and so, recognizing that the “street” is most often and most severely impacted by social issues, he chose their primary instrument of communication - spraypaint - to deliver his messages. His starting point is always a black canvas, symbolic of the black light referenced in Sufi mystical prose from which the light of our universe emanates, light that seeks to overcome the darkness in our lives. Through on-going meditative practice Michael receives guidance on issues upon which he should focus and imagery to support their understanding. His artwork has been shown in dozens of juried exhibitions, nationally and internationally, with a particular emphasis on exhibitions focusing on art’s role in promoting social change. He strives to ensure that his art educates, inspires, and offers opportunities for personal healing. Michael lives and creates in the greater Washington, D.C. metropolitan area.